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installation & performance

29 Reasons, 2016 Floor Installation Firecat Projects, Chicago

29 Reasons, 2016
Floor Installation
Firecat Projects, Chicago

 

Symptoms - Installation Firecat Projects, Chicago

Symptoms – Installation
Firecat Projects, Chicago

 

29 Reasons, 2016 - Floor Installation Firecat Projects, Chicago Photo by James Jankowiak

29 Reasons, 2016 – Floor Installation Firecat Projects, Chicago (Photo by James Jankowiak)

29 Reasons, 2016 Installation (photo by Mariah Karson)

29 Reasons, 2016 Installation
(photo by Mariah Karson)

29 Reasons, 2016 Installation (photo by Mariah Karson)

29 Reasons, 2016 Installation (photo by Mariah Karson)

 

 

 

American Eye Pull-Up Bar, 2016 acrylic on paper installation, Ukrainian Institute of Modern Art, Chicago

American Eye Pull-Up Bar, 2016
acrylic on paper
installation, Ukrainian Institute of Modern Art, Chicago

 

Fearsome Fable – Tolerable Truth, 2013

Hyde Park Art Center, Chicago, IL 


Atone: To Amber, A Moment In Time That Changed The Rhyme, 2011 installation, Write Now: Artists & Letterforms, Chicago Cultural Center acrylic, paper, rope

Atone: To Amber, A Moment In Time That Changed The Rhyme, 2011
installation, Write Now: Artists & Letterforms, Chicago Cultural Center
acrylic, paper, rope

Atone To Amber: A Moment In Time That Changed The Rhyme, 2011
installation, Write Now: Artists & Letterforms, Chicago Cultural Center
acrylic, paper, rope

 

 

From The Beginning, 2010
This performance installation was part of Version Fest 10 produced by Public Media Institute.

 

 

Banker’s Boxes, 2005
This installation was made by Tom for the Master Nowhere’s Lost Carnival event in Chicago. Participants were asked to design their own carnival game. Attendees threw quarters at the wall of boxes and tried to land a quarter on the narrow ledges. Meanwhile, “Blindfolded Tom” made drawings as prizes for the winners.

Wrecking Ball, 2003
This installation was made by Tom for the Cubicle show sponsored and curated by Uncle Freddy’s Gallery. Materials, children’s construction paper.

 

 

Bounce, 2002
South Bend Regional Museum of Art
installation, luann plywood and wood grain contact paper
room is octognal approximately, 30 x 30′

 

 

Dad, 1993
installation, ARC Gallery, Chicago, IL

 

 

Sermon On The Mount, 1993
installation, R. H. Love Gallery, Chicago, IL

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